Home

Advertisement

Customize

You Think, You Thought, I Too.

Aug. 7th, 2009

12:54 am - "Another Awesome Concert" Blog

A few weeks ago Kelli and I attended a "free" concert at Hammond's Festival of the Lakes.  I say "free" because although the concert was free, parking was $15.  Whatever.  We were there to see The Spin Doctors and the Gin Blossoms, two more 90s acts still surviving the touring circuit.

 
We got there at about 5:30pm for the 7pm concert to get as close as we could.  We got fairly close, although we couldn't get in the "VIP" section (which, we found out, was reportedly reserved for all Mayor McDimwit's city friends.  Maybe one day I'll get the chance to run against him.).  At about 7:20pm, with the music still not started, it began to drizzle.  The drizzle turned to rain, and the rain turned into a friggin' downpour.  All Kelli and I had was a small umbrella, which the rain subsequently ran down to soak our shirts and pants.  It was a harrowing ordeal - we just kept getting wetter and colder.  We thought about leaving a few times; but I really wanted to hear the Gins and I didn't like the idea of blowing $15 for nothing.

The rain finally stopped around 8:15pm and the stage was repeatedly dried off as the fans who stayed dumped the rainwater off their chairs and froze in the cold breeze.  Finally, The Spin Doctors took the stage.

The Spin Doctors played about 7 or 8 songs over about 35 minutes, including the only two I cared about - "Little Miss Can't Be Wrong" and, one of my favorite songs ever, "Two Princes," probably better known in sing-along circles as "Just Go Ahead Now!"  I wasn't overly impressed by The Spins; but they made those two songs sound good.

We were waiting between the two bands' sets when I looked to my left and saw a somewhat familiar face by the soundboard.  There was a guy who looked a lot like the lead singer of the Gin Blossoms, Robin Wilson; but I wasn't really sure.  I didn't really want to seek him out if it wasn't Robin; but Kelli encouraged me to get his attention.  So I went over and waited by the soundboard.  After I heard him say something to the sound guy, I knew by his voice that it was Robin.  I couldn't believe it!  I waited with anticipation until he was done talking, and he luckily walked right in my direction as he left.

"Excuse me.  Mr. Wilson?"  I said.
"Hi.  Robin." he introduced himself.
"I'm a big fan, thanks for coming out here," I replied.
He seemed happy to be recognized.  I then asked if I could have his autograph, to which he agreed and actually waited for me to head back to my seat and grab the CD booklet I brought with me, just in case this situation presented itself.  He then asked me my name as he personalized the booklet.  I asked him how the new album was coming and he said it was "great, man."  I then asked him for a photo and he happily obliged as Kelli snapped the picture.  He then introduced himself to Kelli and shook my hand again before heading to prep for the show.  I don't think anybody else stopped him or recognized him - made me feel good to be "that" fan.  This brief experience made waiting in the rain worth it.

Eventually, the Gins took the stage and blasted into their performance with 1996's "Follow You Down," arguably their biggest hit.  They played hit after hit, from their 90s glory days to their 2006 comeback album, including a surprise "album track" selection, "Hands are Tied" from 1992.  Robin then announced to the crowd that they were in the process of putting out a brand new album, then played a song that will be featured on it.  He never named it, but it sounds like it might be called "Miss Disarray," and it sounds pretty good.  Robin spent the whole show interacting with the crowd - handing his tambourines to audience members to jam along, and high-fiving and shaking hands with everyone in reach.  Unfortunately, one female fan apparently walked off with one of his tambourines.  How it was possible is unknown since, as Robin pointed out, there were about 50 cops in the general vicinity of the concert.  Whether or not it was recovered is unknown.

The Gins ended their main set with two of their biggest hits - "Til I Hear it From You" and "Hey Jealousy," during which the whole audience sang along.  After a few minutes Robin came back out and began playing a cover of Elton John's "Rocket Man."  The rest of the band then came out and rocked the rest of the song before reaching a loud crescendo and constant, sustained cheers from the Wolf Lake crowd.  The band left the stage, and as the crowd dispersed, Robin came back out on the stage and remained to meet the VIP fans and sign autographs.  What an amazing, down-to-earth, regular guy.  If all celebrities were like him, this world would be a better place.

Setlist with Concert Vids

1. Follow You Down
2. Until I Fall Away
3. Learning the Hard Way
4. Found Out About You
5. Long Time Gone
6. Hands are Tied
7. Miss Disarray (new song)
8. Alison Road
9. Super Girl
10. Lost Horizons
11. Til I Hear it From You
12. Hey Jealousy
13. ENCORE: Rocket Man

I've only seen a handful of bands/musical acts twice in concert, the Gins now being the fourth.  And based on this show I guarantee that where go the Gin Blossoms so also will I go.  Regardless of their positions in the charts these days, or lack thereof, I'll always be a fan.  90s bands didn't stop making good music in 1999, although most radio conglomerates seem to think so.  Looking forward to that new CD.

Aug. 5th, 2009

11:01 pm - An Ode to My Doggies

This was written earlier this June:


I haven't seen the movie Marley & Me; but from those who have, I've heard it's a touching portrait of life change through your pet's eyes.  I've been thinking a lot about my life - especially the last 15 years - a lot recently, as I've attempted to relive memories of my two best childhood friends - my doggies.

My mom made two difficult decisions so far this year in putting to sleep our two faithful companions of over 15 years.  Chelsea, a beagle/cocker-spaniel mix, was put down on January 14th at age 15 years, 5 months.  Roxie (or Roxy, if you asked my mom), a beagle/terrier mix, was put down on June 5th at age 15 years, 1.5 months.  When I think about them, I think about how life used to be, and about growing up.  Since I left home in 2005 I hadn't really spent much time with them; but I'll always feel like they were an integral part of my life experience.

We adopted Chelsea from a farm in Chesterton in October 1993, when I was 8-years-old and life was carefree fun.  That "farm dog" puppyhood stayed with her the rest of her life.  Whenever we gave her a bone or a big chew, she would be seen walking around the house for upwards of a half hour looking for places to hide the bone so nobody would take it from her.  She also had a lifelong fear of thunderstorms, fireworks, and any loud noises, possibly due to her living outside at the beginning of her life.  As soon as anything loud happened, she went looking for a safe place to hide - usually the basement, a closet, or, amazingly, the bathtub.  This would usually last for hours, especially in thunderstorms or around the 4th of July.  And she could never get enough attention.  If you caught her eye and said something to her, she would immediately come up to you.  Every time you pet her she wouldn't go away, even if you made it clear you had to go elsewhere.

Chelsea definitely inherited her beagle mother's mark.  It was loud, high-pitched and piercing.  Chelsea's biological sister was also a part of my family.  My cousin Pat adopted her sister, who she named "Annie," around the same time Chelsea came into my home.  Annie was definitely related - same face, same ears, same nose, same size - just a different fur color.  She and Chelsea had the exact same personality. We even took Chelsea to meet Annie a couple times; whether or not they recognized each other was unclear.  Annie loved me - she was the sweetest dog in the world, although quieter that Chelsea.  I would spend countless hours playing with her when I visited.   Annie died from heart problems in 2004 and it was a sad experience to help bury her in my great aunt's backyard, only a couple days after I last saw her.  Our awareness of Annie's heart issues, however, may have helped us give Chelsea a little more time with us.

We adopted Roxie from the Calumet Area Humane Society (when it was a little shack in Hammond) in June 1994.  She was in a cage with about four or five male puppies, presumably her brothers.  We picked the right one.  She was the smallest thing I had ever seen once we got her home - like a little runt hopping around a giant backyard.  She took to Chelsea immediately - even if Chelsea didn't necessarily agree.  My first memory of Roxie involved her and a little plastic cup that we had her water in.  She picked it up and started running around the backyard with it, leaving little teeth marks all over it.

Roxie had a high-pitched "nyae!" bark that turned into the most adorable "bar-rawr" bark as she got older.  I loved to hear her bark.  She was famous for "talking" to my mom.  My mom treated her like the baby she was, and usually fed her from the table.  Whenever Roxie wanted something, she wasn't shy about begging.  She'd sit-up, jump around, and make all the necessary noise to get noticed.  She would then usually let loose a couple low-pitched vocalizations similar to "rar-rar-rar," as if she was trying to negotiate with my mom to give her food.  She continued to do this up until about 4 years ago.  She was really skinny for the first few years of her life, then became fattened up with all the table food she ate.  Until about 4 years ago she would get allergies every September.  Her eyes would get beet red and she would itch nonstop.  You couldn't even touch her without her back legs starting to twitch.

One of my favorite memories involving the both of them was any time they were inside the house and heard something outside that they needed to go investigate.  Chelsea would usually start barking and Roxie would be aroused awake to figure out what was going on.  They would then rush to a window, stand on their two hind legs and see if they saw anything.  If they did, they would then run to the kitchen door and just wait to be let out.  As soon as somebody opened the door, OFF THEY WENT!!!  Sometimes they didn't even wait it to fully open, and headbutt themselves out the door.  They would then charge through the porch doggy door (I don't know how they never managed to get both bodies stuck in there), charge down the stairs and race as fast as they could around the side of the house.

The only reason they lived so long was because of the great care my mom, grandma, Al, and everyone in my family gave them.  They got the best food, toys, constantly new bedding, and the most love any dogs could receive.  They were spoiled rotten.  They went on walks (including the yearly "Downtown Hammond Dog Walk" which I think they enjoyed because of the new environment but dreaded because of all the other dogs there), went on car rides to Michigan (eventually got over their car sickness) and hated their bi-annual trips to the vet.  Roxie stalked and killed backyard birds and got into a heavyweight bout with an aggressive Michigan squirrel.  They were good dogs - as they got older they wouldn't even think about leaving home, even if the gate was accidentally left open and nobody was around to close it.  On one occasion, as my mom and I shoveled some heavy snow near the garage, they somehow got out of the yard and started exploring the scent-filled park across the street.  As soon as they heard me yell "HEY!", they began trotting back to where they knew they would be safe.  They were always there to eagerly welcome us home, even if we had been away for just 15 minutes.

All in all, I can't help but think we gave them good lives.  Chelsea had a better life with my family than she would have ever had on a farm; and Roxie was a humane society rescue success story.  I don't know if my home family will ever welcome another dog into their home; but I'm hoping I will get that chance with my new family years down the road.

Jul. 13th, 2009

03:38 pm - Stop, Cubs, Stop

As we mark the ceremonial midpoint of the Major League Baseball season, I've decided to discuss something that's been bothering me lately (big shock).  Although the Cubs have won only 43 games so far this season (along with their 43 losses), something has happened at the end of each of their 27 at-home victories that has annoyed the heck out of me.  That would be the playing of a song called "Go Cubs Go."

This song was written in 1984 by Chicago folk musician and uber Cub fan Steve Goodman.  Popular around that time, the song has, since 2007, become the official victory anthem of the Chicago Cubs.  I am probably one of only a few Cub fans who can't stand the song - it's a horrible, hokey, unimaginative piece and has little to no applicability to the context in which it is now played.  I will now demonstrate:


The italic lines are the lyrics to the song:

"Baseball season's underway 
Well you better get ready for a brand new day."
- Why, did the previous day suck?  Cubs lost again, didn't they?  If the game is over, and the Cubs have won, why am I already looking forward toward tomorrow?

"Hey, Chicago, what do you say 
The Cubs are gonna win today."
- Goodman must have written the first verse last, as you'll soon see.

"They're singing ... 
Go, Cubs, go; Go, Cubs, go 
Hey, Chicago, what do you say,
The Cubs are gonna win today."
- Completely unimaginative.  Additionally, I hate when musicians and people in general say "what do you say."  It is a completely empty thought.  You're about to tell them what to think, why ask them what to say?!

"They got the power, they got the speed 
To be the best in the National League."
- First, pitching wins games, not hitting.  Second, I'd be hard-pressed to find a season where both of these qualities led the Cubs to "being the best."  Third, "being the best" in a league means winning the pennant - something the Cubs haven't done since 1945.  So this song has been invalid for 25 years.

"Well this is the year and the Cubs are real 
So come on down to Wrigley Field."
- Another invalid thought.

(repeat chorus)

"Baseball time is here again"
- Technically, baseball time is over.  The game just ended.

"You can catch it all on WGN."
- BULLSHIT!  Maybe in 1984, but ever since the departed Fox Sports Chicago and the current Chicago-team-owned Comcast SportsNet emerged on the broadcast scene, WGN has lost its primary broadcasting power.  Despite a few games, the only thing I can "catch" outside of the Chicagoland viewing area is WGN America's laundry list of God-awful programming.

"So stamp your feet and clap your hands."
- What is this, the Cha-Cha slide?  The guys from MST3K would have mocked such a simplistic line.

"Chicago Cubs got the greatest fans."
- I beg to differ.  First of all, you need a "The" and a "have" in that statement.  And every team in professional sports claims they have the greatest fans - what makes Cub fans so special?  Because they've waited (at that time 76) now 101 years for anything to happen?  Because they continuously cram into Wrigley Field, get drunk, and throw money at a team that could be 26 games under .500?  If anything, they're a partial cause of their team's futility.

This feel-good cheesefest unites Cub fans at the end of each win as they drunkedly belt out the chorus from the stands, and the TV stations decide to broadcast it in its entirety.  

Now I'm not knocking Steve Goodman - his "A Dying Cub Fan's Last Request" is pure brilliance upon poetry - nor do I suggest a return to "Celebration" or "Get Down Tonight" blaring through the Wrigley Field speakers after each victory.  I suggest something more appropriate; a song with much better, more meaningful and reflective lyrics and not lines that simply Lady Gaga can write, er lip-synch.  A song written by the great Eddie Vedder named "All the Way."

The well-written song includes lines like:

"When you're born in Chicago you're blessed and you're healed,
The first time you walk into Wrigley Field.
Our heroes wear pinstripes, Heroes in blue.
Give us the chance to feel like heroes too.
Forever we'll win and if we should lose,
We know someday we'll go all the way."

"We are one with the Cubs,
With the Cubs we're in love.
Yeah, hold our head high as the underdogs.
We are not fair-weather but foul-weather fans,
We're like brothers in arms in the streets and the stands."

"United we stand and united we'll fall,
Down to our knees the day we win it all."

"Keeping traditions and wishes made new,
A place where our grandfathers, fathers they grew.
A spiritual feeling if I ever knew,
And if you ain't been I am sorry for you.
And when the day comes with that last winning run,
And I'm crying and covered in beer.
I'll look to the sky and know I was right,
To think someday we'll go all the way."

Any team can win a game; but it's been shown time and time again that not just any team can go all the way and win the World Series.  These Cubs need to be reminded of what they're actually shooting for - beating the Pittsburgh Pirates in June is not an accomplishment.  Maybe blaring "someday we'll go all the way" after every Cubs victory will keep them on their toes and show them what they should actually be shooting for.  I'm still waiting for that day when I can fall to my knees and unashamedly cry my eyes out - and never have to hear this song again.

Jul. 1st, 2009

11:05 pm - Thinking About Mortality

When anybody dies, you usually think about your own life.  Celebrity deaths are nothing new; but the recent shocking deaths of Michael Jackson and Billy Mays have given me extra pause.  Tonight is also the four-year anniversary of the death of one of the most beloved people in my life, my ol' buddy Alex Soos.

It always sucks when somebody famous dies, especially before they should, because a lot of times we do feel a personal attachment to that person.  I remember getting teary-eyed when John Ritter died in 2003, and that was BEFORE I had seen a single episode of Three's Company.  I went to Harry Caray's wake in 1998 - one of the toughest things I had experienced up until that time.  George Carlin's death last summer hit me like a ton of bricks.

Hearing that Michael Jackson was dead was stunning.  It was also sad, knowing he was working hard for a comeback.  But I wasn't alive, let alone coherent, for most of MJ's superstardom; and I was never a "huge" fan of his work (although VH1 Classic has given me a new appreciation for it).  As shocking and stunning as MJ's death was, Billy Mays' death was absolutely unbelievable.  I'm sure two famous 50-year old men dying within days of each other added to the shock; but Billy Mays was a rather large part of my adolescence.  That's when his star began.  My ol' buddy Al always talked about his commercials, swearing Mays could probably sell anything.  My friend Jon always tried to call me on the phone when one of Billy's Oxiclean commercials (this one, the original one - notice how quiet Mays is compared to his later ads - before his giant, or should I say "whopping!" ego) came on.  We'd go ballistic if one of them would come on while we were talking on the phone.  We would usually make fun of them; and we'd always look for Billy's products when we went out pranking in stores; I even attempted to drink Oxiclean-water once, but it thankfully didn't go down.  One of my birthday gifts to Jon was a shirt I made full of Oxiclean/Orange Clean logos.  I even incorporated the Billy Mays/Oxiclean ad in one of my school projects my junior year of high school.  Even though this was all in good fun, I grew a real appreciation for Billy's skill.  I was a fan.

My family's guilty of buying into Billy madness.  They bought the Oxiclean, Orange Clean, and I think even Kaboom.  They bought me Hercules Hooks - they didn't work.  Billy convinced Kelli and I to try Mighty MendIt (probably my favorite Mays ad) - it works!  Billy's voice will always be in my head, and hopefully on YouTube for all eternity.

I pay tribute to Billy through this writing; but I also keep in mind how amazingly unfair life can be.  How some of the most hated celebrities will probably live til their 80s while people like Mays are cut down at 50 is a mystery.  How my ol' buddy died in 2005, just two years before I ended up living within a 30-mile radius of all the cities and towns in which he grew up, is complete bullshit.  It also shows how quickly life can go.  As Lewis Black has said, "I COULD DIE AT ANY MINUTE!!"  And it's true. You can be doing something you love one day, and the next day you don't wake up - leaving God knows what undone.  It helps to put things in perspective.  

Will this get me to do things differently?  I don't know.  Will this get me to put more stock in my own life?  I don't know.  I don't know what it means.

But it's food for thought...

Rest in peace, Billy.  Thanks for everything!

And I still miss you ol' buddy.  Love you.

Current Mood: [mood icon] sad

Jun. 28th, 2009

11:37 pm - The Greatest Concert Ever

Think about your favorite band/music performer, someone you may have been listening to for over 10 years.

Think about how amazing an experience it would be to see them perform from the first row of a standing-room-only crowd.

Think about how incredible an experience it would be to meet these performers and talk to them after the show...

On Wednesday night Kelli and I went to Indy to see Gavin DeGraw & Collective Soul (the latter being the reason for going).  The concert was at the Murat Egyptian Room - the same room where we saw KT Tunstall perform an excellent show last May.  The tickets were general admission so we knew we had the chance to be right up front - if we got there early enough.  We arrived at the venue at about 4:40pm - the doors were to open at 6:30pm - and we were among the first 20 people in line.

After nearly two hours of waiting in the humidity, we were finally let in and walked into a near-empty room.  We got up to within the 2nd row of people, center stage, with just one row of (particularly large) Gavin DeGraw fans hogging the barrier (who definitely had no clue what a rock concert was like).  We were still within 5 to 10 feet of the stage.  It seemed too good to be true.  We stood there for about an hour until the opening act, Green River Ordinance, took the stage.  I'll say they were one of the better opening acts I've heard, with more of a rock sound than the talentless poppy crap most radio stations play today.  Although according to yes.com, GRO does receive occasional airplay.  

GRO played for about a half hour (I was able to catch one of the guitarists' picks as they walked off stage).  I figured DeGraw would be next followed by CS; after all Collective Soul is the band with 7 number-one's and 10 million albums sold.  But GRO said Collective Soul was up next - so my excitement started to build tenfold.

The lights dimmed at 8:30, and the members of the band started to take the stage.  New drummer Cheney Brannon was first, followed by Will Turpin & Dean Roland, lead guitarist Joel Kosche and finally lead-singer, songwriter, producer Ed Roland.  I was within ten feet of a man who I had been listening to since I was 10-years-old.  The electricity in the room was incredible, starting with Ed's cry of "WELCOME ALL AGAIN" as the band burst into the upcoming single from their forthcoming eighth CD.

Collective Soul played for 75 minutes, blaring through rock hits like "Heavy," "Gel," "December,"  "The World I Know," and "Better Now," new songs "You" and "Staring Down," "Tremble for My Beloved," which has been given fame thanks to Twilight, and even the poppy "Hollywood," which they actually made sound nice and hard.  All throughout the night Ed Roland was within spitting distance.  He kept looking right at Kelli and I constantly and I was shamelessly singing my ass off to pretty much every song; and I knew he saw it.  Kelli states he was staring at her for a while, and they "shared a moment."  Finally, during "Better Now," he looked right at me - I pointed to him, he smiled and flashed a "rock on" sign back at me.  What a rush.  The show closed with their all-time hit "Shine," during which the whole audience sang along.  The band gained huge, sustained applause as they bowed and left the stage.  I'm sure some of the Gavin DeGraw fans were converted.  

1. Welcome All Again
2. Heavy
3. Listen
4. Run
5. Why Pt. 2
6. You
7. December
8. Tremble for My Beloved
9. Hollywood
10. The World I Know
11. Gel
12. Better Now
13. Staring Down
14. Where the River Flows
15. Shine

I was hot, disgusting, sweating my ass off and pumped with adrenaline.  I finally had the real front-row rock concert experience.  Kelli and I decided not to stay for DeGraw, so we headed toward the back.  We bought a couple things and met with the members of Green River Ordinance.  We then left the Murat.  As I was driving through the parking lot I saw Collective Soul's bassist talking to a fan that I was standing right next to during the concert.  I re-parked my car and saw lead-guitarist Joel Kosche get out of the tour bus.  I made it over to him and got his autograph just before he went back into the concert hall.  One of the tour people said the band would be back out shortly; so I then convinced Kelli to wait outside with me to possibly meet them.

The new guy, drummer Cheney Brannon, was the first back out.  He was SUCH a nice guy.  It was almost like he was honored to sign autographs and take pictures.  Bassist Will Turpin was next.  Will looked exhausted and may have been a little loaded.  One of the stagehands poured what looked like wine into a plastic cup for Will before the band took the stage, so that may have been it.  Will signed and took pics before heading back to the tour bus.  Our crowd became about 8 people as the beats of Gavin DeGraw's music could be heard in the parking lot.  It was so nice to not be in a mob of fans.

We waited until after 11pm until the brothers Roland finally exited with a mini posse.  We were with about 10 other fans at this point, including some really annoying middle-aged women and a guy from Attica, IN.  Ed was talking to everybody, signing autographs and giving hugs to those who asked as Kelli and I eagerly awaited him to come up to us.  What happened next is something I will never forget:

As soon as Ed saw me he walked up to me, looked me in the eye, slapped me five and told me, "Dude.  I appreciate your spirit so much."  He said it meant so much to him to see that much energy during the show.  He, the performer, was complimenting me, the fan, on MY energy during the show.  I told him that he had no idea what that meant to me; and that I had been listening to his music since I was ten-years-old.  As he signed for us, I told him that Kelli and I had seen the band previously up in Hammond during the 2005 Festival of the Lakes (a show which he ironically didn't remember).  I said how we didn't know each other and didn't even know the other was at the concert until we had met later, and that we were now engaged and getting married next year.  He immediately said "Ohh Congratulations!" and shook our hands.  We took individual pictures with him and I couldn't resist getting a hug.  I told him his music was an inspiration and he was very appreciative.  We probably spent about 2 minutes talking; but it went by so quickly and I did not want it to end.

We then moved on to Ed's brother Dean, who was very reserved and quiet.  After taking a photo with him, I wanted to get a photo of Ed with both Kelli and me.  So we intercepted him right before he headed for the bus and he gladly obliged.  He told us "God bless" as we took the photo, and we then departed ways.  What an unbelievable night.

Completely on cloud nine after the show, I ended up going the wrong way on I-70 and went twenty minutes east of Indy instead of heading west toward Terre Haute.  I finally realized my error and turned around.  As we got into Terre Haute I narrowly avoided hitting a family of raccoons crossing a dark street.  I swerved and hoped for the best and thankfully didn't feel a "buh-boom," so I'm guessing I missed them all.  A crazy end to an unbelievable night.

I never thought the 2004 Phil Collins concert at which I sat in on the soundcheck and met the man could ever be topped.  This did it - and I truly don't know what could be better than what I experienced Wednesday night.

Jun. 9th, 2009

01:01 am - An Ode to WNUA

On May 22, Clear Channel Communications ended a 22-year love affair in the city of Chicago.  Countless people used to turn their radio dials to 95.5 for a dose of the "smoothest place on your radio."  It was home to that trademark jingle, "Double-u n u a, ninety-five point fi-ive!"  A jingle that has been used on jazz stations across the country.  It was also home to great music.  Due to the fact that Clear Channel could no longer make money off WNUA, despite owning Chicago powerhouse WLIT and at least five other stations in the Chicago area, and over 900 total, they pulled the plug on it at 9:55am and replaced it with an all-Spanish format, despite there being other Spanish stations in Chicagoland, and despite other ones having failed over the years.  WNUA was just the latest in a long-line of jazz stations that are being cut all over the country (including in New York, Philadelphia, Washington D.C., and San Francisco).

WNUA taught me a lot, especially about myself.  It taught me I can enjoy good music in a world propagated by talentless bubble gum pop and uneducated, misogynistic rap.  It taught me good music doesn't need lyrics to work.  It taught me about the work of dozens of artists whose music I still listen to today.  It taught me how amazing Brazilian jazz is, and how strangely beautiful and eclectic "chill" music is.

A lot of people turn their nose up at "smooth jazz" because of the Kenny G. stereotype.  While Kenny G. IS the most successful smooth jazz musician ever, he is definitely not an accurate representation of the genre.  He represents new age soprano saxophone jazz, but that's about it.  I personally don't find Kenny G.'s music annoying, although I know some do.  But again, smooth jazz should not be defined by the music of sir G.  Even so, WNUA was home to much more than smooth jazz; there was plenty of R&B flavor mixed in as well.

If it wasn't for WNUA, I would have never known the music of Mindi Abair, Steve Cole, Dave Koz, Joyce Cooling, Greg Adams, Euge Groove, Chris Botti, Rick Braun, Chuck Loeb, Peter White, Brian Culbertson, David Benoit, Jeff Golub, Jeff Lorber, Paul Brown, Paul Hardcastle and the Jazzmasters, Ramsey Lewis, Tim Heintz, the late Wayman Tisdale, and so many many more.

I first became interested in the music of WNUA in 2003, and it helped me through the next few years as I struggled in life.  Mindi Abair's music helped me through the days I dreaded waking up each morning.  It was WNUA who sponsored the first jazz concert I ever attended - Steve Cole, Kirk Whalum, and Richard Elliot, dubbed "The Three Smooth Tenors," at the Chicago Theatre in October 2004.  It was WNUA who sponsored the first jazz concert I ever took my then-girlfriend Kelli to - Chris Botti's Valentines Day Concert in 2008 at the Chicago Theatre.  We also got to meet him and chat with him.  It was WNUA that helped me get through part of the drive home from West Lafayette and the even longer drive from Terre Haute.  It was WNUA's streaming webcast that helped soothe my day as I graded papers and worked on my grad. school research.  It was a nice little reminder of home - something I thought I could always count on being there when I returned home.

It wasn't just the music; it was the personalities that drove the music.  Jazz legend Ramsey Lewis' morning program and his "commercial free music hours" were always pleasant.  His syndicated "Legends of Jazz" program late Sunday nights kept traditional jazz alive.  Danae Alexander's soothing voice late at night; Rick O'Dell's up-beat attitude every Sunday morning; Chris Botti's excellent promotion of chill music; Scott Adams' exotic and mind-opening "Sounds of Brazil," and Domingo Castillo's amazing voice for jazz radio.  It was all a good time.

Despite the callousness of Clear Channel Communication, the spirit of WNUA is not gone.  Former WNUA personalities Rick O'Dell and Danae Alexander have launched Chitownsmoothjazz.com, with nine different jazz channels to choose from.  Even better, the very day that WNUA was ousted, WLFM Chicago picked up the smooth jazz format and 87.7 is now the voice of jazz in Chicago.  It even has the same jingle (although without words) that WNUA made famous.  And hopefully, WNUA's hundreds of thousands if not millions of listeners will help keep the jazz bug alive in Chicagoland to keep the performances and new music coming.

So even though that 95.5 powerhouse is gone, the music lives on...and that is the most important thing.  Thank you WNUA.
 

May. 28th, 2009

04:35 pm - More of the Same from the Left

I am currently in the mid-to-final stages of writing my Master’s thesis on news media bias.  This study, and my own constant consumption of “news” with a critical eye, has taught me a lot about coverage and perspectives.  It is with this knowledge that I bring to the forefront something interesting that I recently realized.

I have known for years that Fox News is biased toward Republicans.  Anybody who watches the network for any marked amount of time (20 minutes) can blatantly see it.  The “news actors” have no journalistic ability to “report” anything; but they sure know how to drop in pithy-sounding opinions (disguised as “facts”) that would make Peter Jennings, may he rest in peace, turn over in his grave.  The sexist and racist stereotypes at Fox News are also disgustingly blatant, if you’re looking.

I haven’t regularly watched Fox for years; but MSNBC’s obsession with it makes their material hard to miss.  When Republican talking heads tried to hype this past April 15th as "Teabagging Day" (I love how Wikipedia feels the need to differentiate!) Fox News was there every step of the way: broadcasting live from such events to give the impression they were the thing that hundreds of thousands of Americans were doing.  It was overhyped, before during and after the actual day.

I have known for a while as well that MSNBC is biased toward Democrats.  The daytime “anchors,” notably Norah O'Donnell and Contessa Brewer, approach “Republican strategists” (whatever that means) with scathing contempt if they say something that does not match typical liberal ideals.  On one occasion, O’Donnell demanded that the “Democratic strategist” she was interviewing “jump in here” after a “Republican strategist” adamantly spoke out in a way O’Donnell obviously did not like.  After 5pm on MSNBC, you need a chainsaw to cut through the liberal bias.

Recently, with the new ruling regarding Proposition 8 in California, supposed protests organized as a “Day of Decision” took place.  These protests were hyped on MSNBC, especially on the 9pm Rachel Maddow Show.  Now I’m not shocked that Maddow, who is openly gay and at least once weekly features pro-gay propaganda on her program, would promote the “Day of Decision” on her show; but it was interesting to watch as she overhyped the masses of people taking part in the protests – exactly like Fox News did to describe the Tax Day protests.

Both Fox News and MSNBC are disgustingly biased as they pass themselves off as legitimate “news” networks.  But at least Fox News has begun to accept the fact that they are biased and that everybody knows they are biased.  For MSNBC to routinely tout itself as being better than Fox News is rather embarrassing; since they do the very same things Fox does.  The only difference is their political spectrum is slanted 180 degrees the other way.

Further reference


May. 20th, 2009

12:34 am - Robert Palmer

I listen to and enjoy many different music artists, my favorite of these being Nirvana, Collective Soul, Gin Blossoms, Don Henley, KT Tunstall, and John Mellencamp.  I've been to an amazing number of concerts in my life, and, God willing, 2 more this summer.  But I always seem to get into the music of most artists after their primes (Collective Soul, Gin Blossoms), after they've left music or, unfortunately, after they've died (Nirvana, George Harrison).


I didn't really get into 90s music until the last six years or so.  I was big on the 80s in high school.  Mellencamp and Henley have been around forever but I only started liking them about 5 years ago.  The Beatles have been gone even longer.

But (currently) there's only one musician over whose work I continuously kick myself over not getting into earlier so I could enjoy his work in concert.  Not George Harrison or Kurt Cobain (as superhumanly brilliant as they were), but one Robert Palmer.

I haven't heard much of Palmer's catalog; but from what I have it's total brilliance.  I've done some research on him and am amazed at his musical versatility.  

Of course there's the ultimate standard "Addicted to Love."  That and the badass "Simply Irrestistible" are 80s masterworks.  "Bad Case of Loving You" could fall right within those ranks as well.  But two of Palmer's other works are probably my favorite:

In 1990 Palmer released a double cover of Marvin Gaye's "Mercy Mercy Me" and "I Want You."  While Gaye's version of "Mercy" is haunting and contemplative, Palmer put a new spin on a classic.  Palmer's voice soars over the melody and it is, arguably, one of his finest works.  His seemless integration of the two songs into one is a testament to Palmer's genius.

In 1980 Palmer dove into 80s new wave with the album Clues and the phenomenal single "Looking for Clues."  The song is almost indescribable without hearing it: its melody is suspect (if not nonexistent), is completely rhythm-driven, contains dissonant guitar chords as well as an industry-standard marimba solo.  Palmer's voice is double-tracked and he glides up and down octaves with no effort.  The video brimmers with creativity (although Palmer, incredibly, is not wearing a suit).  It was seeing the video that first time that made me fall in love with the song.  This is one of only a handful of songs in my lifetime that I completely fell in love with the very first time I heard it.

Palmer was only 54 when he died in 2003, right around the time I was gaining an appreciation for his version of "Mercy."  My appreciation for him and his work grows constantly.  Just to have the chance to hear his understated voice live, standing on stage in his classy suit, is something that I'll never get to experience.  And for that I feel an incredible loss.

May. 15th, 2009

11:57 pm - Here we go Again...It was Nice While it Lasted

On November 4, 2008 the people of this country elected Barack Obama president.  As great as that moment was, that's not what I remember most about that day.  I remember November 4, 2008 as the first day in 2 years that regular unleaded gasoline fell below $2.00 a gallon.  It was the continuation of the gasoline price freefall that began in October when gas was over $4.00 a gallon.


Once over $140 a barrel under Bush, crude oil fell to under $30 a barrel after Obama was elected.  During the freefall the lowest I ended up paying was $1.43 per gallon of regular unleaded.

After four months and 20 days, gas raised above $2.00 a gallon in late March.  Living in the past was nice while it lasted.  I'm eternally hopeful it won't go anywhere near $4.23 a gallon anytime soon ($42.00 for 10 gallons of gas???) but I can't trust oil companies any more than I trust the Democrats in Congress doing ANYTHING worthwhile over the next two years.  With gas now reaching over $2.30 a gallon, I can already feel the lube drying, as the oil companies prepare to shove another extra long gasoline nossil wherever it will fit.

Oct. 5th, 2008

02:22 am - Old Thoughts Part 3 of 3: "Brilliant Pandering Job"

John McCain selected Sarah Palin, Governor of Alaska, as his running mate for vice president. He could've gone with any big name Republican, but instead went with the no-name, 2-year governor of the most vacant state in the Union.

This is nothing more than a brilliant pandering job by John McCain, even better than the idea to eliminate the gas tax that would in turn eliminate infrustructure support. McCain knows that there are tons of undecided women voters who are still burning angry because Hillary Clinton wasn't popular enough to win the Democratic nomination. He feels that he will now have these women eating out of the palm of his old, crusty hands because, WOW! LOOK! There's another woman in the race now!

These undecided women voters are some of the biggest idiots in the world. Those who said they would vote for McCain if Hillary wasn't the nominee now have another reason to do so...if they want to vote for a ticket that probably supports everything opposite of what the undecided women voters stand for. Idiots.

McCain's choice will probably net him a greater number of Hillary supporter votes than if he had chosen a male runningmate. But this choice is just the latest in a long line of decisions, statements, and policy positions that show John McCain is willing to say or do anything to win an election in which he cares nothing about the American people; a group of people who he thinks are absolute morons who actually like what has been going on here for the past eight years.

Tags:

Oct. 1st, 2008

01:58 am - Old Thoughts Part 2 of 3: "Deer and Mourning Doves: Nature's Speed Bumps"

I love nature and I love animals. But sometimes animals do things that interfere with what humans do. This is understandable; I don't blame animals for it - humans have invaded their territory, have controlled certain species' populations, allowing for out-of-control numbers for other species, and have no real concern for living "with" other species, rather than "controlling" and "managing" them.

Which brings me to my recent encounters with nature; better yet, nature's recent encounters with me.

I love seeing deer. Although they are incredibly common throughout the country, it is something special to see a deer or deers [sic] walking through clearings from the highway.

Well last month Kelli and I were returning to Terre Haute on U.S. 41. The occassional deer is not uncommon in the evening along this highway. Less than an hour out of the Haute I was driving along when I saw the eyes of a deer gleaming back at me from the side of the road. I slowed down immediately and tried to scare the deer off by flashing my brights at it (In hindsight, this was probably a stupid decision). The deer immediately began to start running parallel to the road. I started to speed up thinking it would dart back into the woods when the deer started zig-zagging onto the road and into my lane.

I slammed on my brakes and my tires made the SCREEEEEEEEECH noise for about 20 yards. I do not remember stepping on the brakes; it was just reflex. Kelli was apparently screaming at the top of her lungs at this time; I have no recollection of that...only the sound my tires were making. The front of my Yaris bumped the left side of the deer as the car coasted to a halt in the middle of U.S. 41. Thankfully there were no cars anywhere in sight so there was no threat of a dangerous pile-up. I tried to calm Kelli down for a few seconds before pulling off to see if there was any damage, amazed at what had just happened and praying that my still new car was not damaged. I got out for an inspection; but the bugs slamming against the car due to the headlights made it difficult to see anything. A later checkup revealed no damage to the Yaris.

I always knew there was a deer-hitting threat down this highway, but I never thought the deer would view flashing lights as an invitation to jump in front of whatever was flashing. I now view Blue-Collar comedian Ron White's quote about deer-hunting as etched-in-stone law:

Woo, that's an elusive little creature! If you ever miss one, it's because the bullet's moving too fast. I'll tell you what; slow the bullet down to 55 miles an hour, put some headlights and a little horn on it, the deer will actually jump in front of the bullet!

Which brings me to Mourning Doves. These birds are absolutely beautiful. Their call is gorgeous and I love to watch them walk (more like waddle) around, allowing you to get so close to them before flying off with a “hehehehehe” noise. They’re so cute when there’s a couple of loving mourning doves standing around so close to each other. Aside from all this, they seem to be slightly unintelligent.

Again on the road: On a recent drive up north for jury duty, I encountered several mourning doves with my car. Now most birds will fly straight across the road with plenty of time before the speeding car is even a threat to them. Earlier this year I saw a beautiful pheasant glide so smoothly across U.S. 41 before landing in the trees. Even the Red-Winged Blackbirds that seem to live on the sides of Indiana highways stand off the shoulder to not be threatened by the car. Mourning doves, on the other hand, are a different story. They have no problem landing right on the highway. On this trip I had to hit my brakes on three separate occasions to avoid turning the little beige birds into asphalt juice. One of them landed right in the middle of my lane no more than 50 feet in front of me before taking flight just before it was literally grilled by my Yaris. And it’s only these birds. I don’t know what it is.

I love nature. I love deer and mourning doves. I just feel like I've cheated Yaris-animal intercourse so many times that I'm living too dangerously for my comfort level.

Sep. 29th, 2008

09:23 pm - Old Thoughts Part 1 of 3: "Stupid White People"

I haven't posted in awhile but I rarely stop writing.  This is the first in a series of blogs I wrote earlier this year but never got around to posting.

P.S.: Despite the tone, I don't consider this racist or "
reverse racism" as some whites may consider it.

----------------------------------

As a white male I have probably enjoyed many privileges during my life. But dating someone who is not white, and examining myself through social scientific scholarship thanks to graduate school, has interestingly made me look at "whites" and the whole concept of "whiteness" a little differently.

As I watch the ending of the modern-day tragedy that is the Democratic Primaries, I am struck by the stupidity of some whites, primarily the white females who are so live-or-die for Hillary. I saw one angry moron yelling that if Obama is the nominee, all of Hillary's supporters would vote for McCain and that "JOHN MCCAIN WILL BE THE NEXT PRESIDENT OF THE UNITED STATES!!"

As badly as I wanted to hit my remote control button that kills the person on the screen (an idea set forth by George Carlin that should be seriously considered in this day) I instead rolled my eyes and questioned their zeal.

First let's ask why are white women worshipping Hillary? 1. Hillary's a white woman. 2. Barack Obama is a black male. 3. Hillary's a democrat and will likely uphold Roe v. Wade and work for middle class wages, etc.

So then why would, if Hillary is not the nominee (which God-willing she won't be), these Hillary-zealots throw what they're fighting for to the wind to support the candidate who will turn everything they want on their heads? John McCain will do nothing for white women, definitely not on the economic front. Are these Hillary supporters so selfish in wanting to show the world that they are a loud, united (obnoxious) voice that can accomplish something as a whole that they would be more willing to elect someone who will ruin them and the nation even more than put down their weapons and elect a person who in all likelihood will work with Hillary in most ways? But John McCain is white after all; and I'm sure that's a selling point among many of these people.

Apart from politics, most white people are obnoxious. Kelli and I went to another Terre Haute Mexican restaurant this past week; and as an aside, we have effectively given up our search for good Mexican food in Terre Haute. It just doesn't exist. The sad thing is this restaurant had the exact same set-up, same furniture, same decor, SAME MENU, SAME TEXT AND TYPEFACE ON THE MENU, and exactly the same everything as another Mexican restaurant of a different name about three miles down the street. IT WAS FRIGGIN VERBATIM!!! Yet the food was only minimally better, strangely.

Anyway, throughout our stay at the restaurant there were only five Mexicans in the entire restaurant - Kelli, and the four restaurant staffmen who beared the same stereotypical "Mexican" look that most white people have in their heads - short, dark-skinned, black moustache - the only thing missing was the sombrero. All the other customers were white and looked like they walked into what met their expectations of what a Mexican restaurant should look like, and ate the Mexican foods that white people love.

While we were sitting there, Kelli and I heard one white woman looking over the menu say "tortilla," only she pronounced it "tor-till-e-uh." Not only did she pronounce the L's, but she added a freakin' I!!. Kelli and I both looked at each other in disgust.

I'm thankful that I have a greater knowledge and appreciation of Mexican people and Mexican culture than I've ever had. It's pretty sad that most whites will never experience authentic Mexican food and Mexican culture - just the stereotypical stuff that has been taught and reinforced for decades. It's not necessarily their faults - just another flaw that society promotes and never deals with.  It's also sad that these Mexican establishments have to lower their standards to satisfy the significant white customer group and to stay open - promoting the corporate perpetuance of the white person's Mexican stereotypes in order to get their business - and to demean the people themselves.

But let's not forget this was in Terre Haute. A place where people have more kids than teeth; where people drive ten miles under the speed limit after waiting at a green light for five seconds before going; a place with an 86% white population; and a place where hundreds of people stood in a cold restaurant alley last April to listen to Hillary Clinton babble.

Jul. 7th, 2008

01:37 pm - Gone to the "Big Electron"

Legendary comedian George Carlin died several weeks ago at age 71. George was the foremost commentator on America, its people, and especially the language we use and the everyday situations we find ourselves in but never really talk about. No topic was sacred, nothing was off-limits, and he could never go too far. His landmark "7 Deadly Words" skit led to a Supreme Court decision about regulating indecent television and radio content.

My friend Jon introduced me to George's work in high school. He was hilarious. He was brilliant. He was all this and completely original. We went to see him live in Merrillville in 2003 and the show was all it should have been. His classic shows are usually aired on HBO and HBO Comedy and are always worth watching and recording. His material evolved with the years and is constantly entertaining and thought-provoking. Even his old stuff will still make you laugh.

Of course George's material (especially since the late 80s) is not for everyone. It can be highly offensive if you take it too seriously. But George was never one to care if he pushed the envelope too far - he didn't have any fears or limits about what he could bring up in his shows. And I can do nothing but admire him for that.

George has been a big part of my life and continues to be. As a teacher, at the end of the final class of each week, I read one of George's observations to my students to give them something to think about over the weekend. I use several of George's clips to help illustrate the subject matter I teach. My students seem to really respond well to it.

I hope to one day be able to own George's career retrospective "All My Stuff." I've seen so much of his work and there is so much good stuff that it's hard to remember it all. Written below are some of my all-time favorites - not given justice because none of it sounds good unless you can hear it straight from the man himself.


Something I teach to my COMM 101 students:
"There is absolutely nothing wrong with any of those words in and of themselves. They're only words! It's the context that counts! It's the user; it's the intention behind the words that makes them good or bad! The words are completely neutral; the words are innocent. I get tired of people talking about bad words or bad language, bullshit! It's the context that makes them good or bad!"

"Poor people used to live in slums. Now the 'economically disadvantaged occupy substandard housing in the inner cities.' And they're broke. They're broke! They don't have a 'negative cashflow position.' They're fuckin' broke!
Because a lot of them were fired. You know, 'fired': 'Management wanted to curtail redundencies in the human resources area; so many people are no longer viable members of the workforce.'"

"Legally drunk. Well if it's legal, what's the fucking problem?! Leave my friend alone, officer, he's legally drunk!"

"'It's the quiet ones you gotta watch.' This sounds to me like a very dangerous assumption. I will bet you anything that while you're watching a quiet one, a noisy one will fucking kill you! Suppose you're in a bar and one guy's sitting over on the side reading a book not bothering anybody and another guy's standing at the front with a machete banging on the bar saying 'I'll kill the next motherfucker who comes in here!' Who you gonna watch?"

"Did you ever notice than anyone who drives slower than you is an 'idiot?' And anyone driving faster than you is a 'MANIAC!'"

"Your house is just a place to keep your stuff while you go out and get...more stuff! Sometimes you gotta move; sometimes you have to get a bigger house. Why? Too much stuff!"

"You ever get that vuja de feeling? Not deja vu, this is vuja de: the strange feeling that somehow, none of this has ever happened before! And then it's gone..."

"I do not understand why prostitution is illegal. Selling is legal, fucking is legal! So why isn't selling fucking legal?!!"

"I know things you never see! You never see a Rolls Royce with a bumper sticker that says 'Shit Happens!' You never see a really big tall fat Chinese guy with red hair...You never see someone taking a shit while running at full speed!"

"Here's something no one has ever heard, ever. Ever! 'As soon as I put this hot poker in my ass I'm going to chop my dick off!' You know why no one ever heard that? Right, no one ever said that! Which to me is the most amazing thing, no one ever thought to say that before tonight! I'm the first person in the world to put those words together in that particular order! First guy!"

"Then there are some things you don't want to hear...You don't want to come home from work and hear, 'Honey, remember how we told the children never to play on the railroad tracks?!'"

"I got a lot of good ideas...Here's something that's gonna make a fortune, get it on this: This is a roach spray - it doesn't kill the roaches; but it fills them with self-doubt as to whether or not they're in the right house."

"Al Sleet here, your hippie-dippie weatherman, with all your hippie-dippie weather, man! Temperature at the airport is 88 degrees, which is stupid because I don't know anybody who lives at the airport...Tonight's forecast: Dark. Continued dark tonight, turning to partly light in the morning."

"We like war cuz we're good at it. And it's a good thing we are, we're not very good at anything else anymore! Can't build a decent car, can't make a TV set or a VCR worth a fuck! Got no steel industry left, can't educate our young people, can't get health care to our old people, but we can bomb the shit out of your country alright!"

"I have this really moron thing I do; it's called THINKING! And I'm not a very good American because I like to form my own opinions...I have certain rules I live by; the first rule: I don't believe anything the government tells me!"

"You don't have to be a historian or a political scientist to see the 'Bigger Dick Foreign Policy Theory' in play. It sounds like this: 'What? They have bigger dicks? BOMB THEM!!' And of course the bombs and the rockets and the bullets are all shaped like dicks. It's a subconscious need to project the penis into other people's affairs. It's called FUCKING WITH PEOPLE!!"

"You know when you've been eating ice cream too fast and you get that frozen spot in the back of your throat? But you can't do anything about it because you can't reach it to rub it? You just have to kinda wait for it to go away. And it does. Then what do you do? EAT MORE ICE CREAM!! WHAT ARE WE FUCKING STUPID?!!"

I don't think I ever laughed harder than when I first heard George's genius bit on "Airline Announcements" from his 1992 HBO special. Its brilliance can not be expressed here in text; therefore its 16-minute entirety can be seen here.

Wherever you are George, you are missed here. You left an indelible mark on the way people see the world. You were truly one of the very best; and all comedians, regardless of who or how successful they are, owe it to you for breaking down comedic walls and for opening up innumerable possibilities to humor. Your ingeniousness has made generations of people laugh and think about things a little differently. Your brilliant work will cause us to laugh for decades upon decades to come; but we won't be able to laugh the same way.

Jun. 21st, 2008

01:36 am - One for the Birds (Turn Turn Turn)

So I saw a Cedar Waxwing for the first time ever today.  There were actually two of them.  Absolutely beautiful; sitting and eating in one of the berry trees on campus.  It was pretty much exactly like this photograph I found.  I saw my first Baltimore Oriole late last year, which was even more gorgeous.

I don't know why I have such a captivation with birds.  I've had it since childhood and before I could even remember.  I love their calls.  They're so beautiful and carefree.  Maybe John Lennon was on to something when he wrote "Free as a Bird."

I also saw a Robin literally chasing a squirrel today.  The squirrel ran as the robin flew behind and swooped down and almost nipped him - probably about 3 or 4 times.  I was almost the victim of a robin swoop several years ago when they were nesting in my backyard; the squirrel must have done something to really piss the nesting robin off.

Terre Haute may really suck; but the bird population is at least one positive aspect.  It counterbalances the ridiculous flying insect population.

May. 22nd, 2008

03:16 pm - So Beautiful and Colorful, I Lean on That.

The girl with the sweet-sounding Scottish accent and wicked strings rocked the Murat Center in Indianapolis this Wednesday.  I don't particularly care for (alright, I pretty much hate) most of the music being produced today; but there's something about KT Tunstall's stuff that I can't get enough of.  I could listen to all three of her CDs on repeat all day.  Her latest album, Drastic Fantastic, is one of my favorite CDs I own, and her previous one, Eye to the Telescope, is right behind it.  

As soon as I heard she would be playing Indy, I wanted to be one of the first to buy tickets on the morning they went on sale.  When it was time for the concert last night, I was probably more excited than I had been at a concert in awhile.

Kelli and I were seated in the 6th row in "Orchestra Right" in the Murat Egyptian Room, a very unique concert venue.  In all actuality, we were about nine or ten rows from the stage - which was awesome!  Irish singer/songwriter Paddy Casey opened the show with about seven or eight songs that I enjoyed.  Compared to other opening acts I've heard he was really good.  KT Tunstall and her band then took the stage at 8:40pm.

I got the impression that KT is a really down-to-earth, sweet girl who loves to play for her fans - just as a musician should.  She cracked jokes, made fun of herself, and was really appreciative of the Indianapolis crowd which welcomed her back overwhelmingly.  She played a great set of music that I don't think left anything out.  Miniature Disasters, Little Favours, and Hold On are three great upbeat pieces of music that get you dancing in your seat; the third got people to the front of the stage to dance.  She followed with the sad but truly beautiful Other Side of the World - one of my favorites.  Funnyman is another one of my favorites and she made it sound excellent live.  KT started pounding her guitar to open her signature song, Black Horse and the Cherry Tree, while the Indy crowd rose as one and a huge mob rushed to the front of the room to dance.  They would remain there for the remainder of the show - much to the chagrin of some of the less fortunate whose eyelines were being blocked.  KT performs the song with the help of her loop pedal to create an amazing atmosphere of lyrical and instrumental layers, an amazing example of which can be seen here.  She slowed it down with the beautiful Under the Weather and the amazing Beauty of Uncertainty, which got my ears ringing after awhile.  One of her best new songs, If Only, followed with KT's 8-note singing of "If Oh-oh-oh-OH-oh-own-ly" and her four male musicians chanting "If-on-ly, if-on-ly."  The lovely Saving My Face and the immensely popular Suddenly I See closed out her main set with a standing ovation.  KT returned to the stage to perform two more great songs, Universe & U and the incredibly catchy Stoppin' The Love before closing the show at about 10:05pm.

KT Tunstall is one of the very few newer performers in music today that goes out and puts her music at the center of the show.  No elaborate stage set-up, no choreography, no special effects, no lip-syncing, no gimmicks.  She lets her songwriting excellence and performing talent speak for itself.  With a band that plays upright bass, cello, mandolin, ukulele, and a keyboardist who also plays xylophone, marimba, and TRUMPET, KT has one of the most unique bands in music.  And it's all real!  No synthetic production, no pre-recorded effects - just live.

This was probably one of the three greatest concerts I have ever been to.  The music was excellent; the energy was constant; the venue was fairly intimate; and the cost was a steal.  I will definitely be first in line again to see KT Tunstall in the future.

KT Tunstall - Indianapolis, IN - May 21, 2008


1. Miniature Disasters
2. Little Favours
3. Hold On
4. Other Side of the World
5. Whitebird
6. Funnyman
7. Throw Me a Rope
8. Black Horse and the Cherry Tree
9. Ashes
10. Hopeless
11. Under the Weather
12. Beauty of Uncertainty
13. If Only
14. Saving My Face
15. Suddenly I See
*ENCORE*
16. Universe & U
17. Stoppin' the Love



Other pictures to be posted to Webshots eventually.

Current Mood: [mood icon] chipper

May. 15th, 2008

04:52 pm - Oh Dem Bums!

I had the privilege to attend a Chicago Cubs game at beautiful Wrigley Field last weekend and it was even more fun because Kelli and I were seated in the bleachers - home to some of the most colorful Cub fans.  While several of the "Bleacher Bums" around me got progressively drunker, they opened up their knowledge vaults and let out some brilliant thoughts.  Here are the best ones I could remember (there were many):

"Do you like dirty jokes?"
"Sure."
"You're weird."

"So when are we going to wife swap?  I mean, when are we going to wife/significant other/life partner swap?"

Upon seeing a girl with a Tootsie Pop shirt that read "I never made it without biting.":
"I know she bites people.  I'd bite her for her shirt.  Only problem is she has a shirt underneath it.  I'd bite her twice."

Loudly saying to a passing woman from another row:
"Do YOU bite people?!  Hey!  Do YOU bite people?!"
"Noooo...?"

Speaking of kissing the Blarney Stone in Ireland:

"I'd rather catch herpes from a stone than from another person."

"If I'm going to catch a communicable disease, I'd prefer it to be from a local woman."

And finally, speaking of marital troubles:
"She hasn't given me a blowjob in 407 days."
"Shhh; there's a child behind you!"
"Alright, 406 days!"


I wish I could remember more, but those are the ones that stood out the most.

Thankfully the stupidity in the bleachers was not the only highlight of the day.  The Cubs scored 6 runs in the 7th and went on to beat the Arizona Diamondbacks.  Go Cubbies!

May. 8th, 2008

01:48 am - The Capital of the Political World for One Night Only

"We think half of Gary has reported..."

"The other city to look at is Hammond..."

It was rather unbelievable watching MSNBC's late coverage of the Indiana primary election last night.  All other news stations bowed to Hillary's presumptive victory speech but MSNBC remained calling it "too close to call."  At around 11:45pm, Hillary's lead was miraculously cut from 40,000 to 20,000, thanks primarily to initial reports from Gary.  More Lake County votes dropped her lead to about 16,000 an hour later.  Hillary eventually won by what was determined to be a margin of less than 14,000 votes, thanks to Lake County going to Obama by over 17,000 votes.

I can't remember ever hearing as many mentions of "Lake County" and "Gary" and even my beloved hometown of "Hammond" on the news at one time ever; not even when Gary was the murder capital of the nation, or when serial killer David Maust killed three children and buried them in cement graves in his Hammond home.  Gruesome yes, but that's usually the kind of news that comes out of post-industrial, blue-collar Northwest Indiana - "an amalgamation of steel mills and chemical plants in cities with large minority populations such as Gary and Hammond, along with numerous white suburbs to the south," according to MSNBC.  It was rather lovely to hear the overwhelmingly "blue" northwestern-most corner of Indiana spoken about in such great importance, regardless of the "negative light" Mayor McDimwit said it put us in.

Mar. 20th, 2008

12:46 am - The Lesser-Clinton and Dick

Hillary Clinton is coming to Terre Haute tomorrow.

Who the hell cares?

And now to our neoconservative beast of a vice president on the fifth anniversary of the blood-for-oil war in Iraq:
ABC reporter Martha Radditz told Dick that "Two-thirds of Americans have said it's not worth the fight."

His response: "So?"

He goes on to rumble: "You can't be blown off course by the fluctuations in the public opinion polls."

Ok...not only did he just directly give most of America his old, shriveled middle finger, he actually believes there was a fluctuation in the public opinion polls.  Five years have proven nothing but a constant decrease in support for the war.  Either he's inhaled too many oil fumes from his sleepovers on Middle Eastern oil barons' yachts or he's really that stupid.  Thank God only 306 days until Jabba the Hut and his puppet boy are forced out of office.

Mar. 10th, 2008

01:32 pm - Who's to Say the Way a Man Should Spend his Days?

In honor of the induction of John Cougar Mellencamp into the Rock 'n Roll Hall of Fame today, I am finally posting the blog I wrote after attending his concert last November, and kinda forgot about.  This completed the lineup of absolutely amazing concerts I had the honor to attend in 2007:
_________________________

He rocks.  He's been doing it for 35 years and there's a reason he still sells out arenas around the country.  He rocks.  He's just that damn good.

I had the privilege to see John Mellencamp live in concert this past Saturday at Conseco Fieldhouse in Indianapolis.

He stepped out on stage with the audience roaring; and he began the show with the familiar notes to one of his greatest  most notable songs, "Pink Houses."  The audience loved it and yelled out the "Gulf of Mexico" line in verse 3 nearly as loud as John himself.  My favorite Mellencamp song, the quirky "Paper in Fire," followed, complete with violinist and accordion player, followed by an awesomely melodic version of "I'm Not Running Anymore," a short video clip of which from this concert can be seen here - click on the 11/3/07 Indianapolis concert link.  Mellencamp then rendered a solo acoustic version of "Small Town."  In the second verse, he substituted the lyrics "Married an L.A. doll and brought her to this small town" with "I was 13-years-old when I wrote this song!" which brought out another roar from the crowd.
Mellencamp debuted a total of five new songs on the evening.  One of them, "Jena," was based on the events surrounding the racial tensions in Jena, Alabama.  Mellencamp told the story of how the song garnered controversy, specifically from the mayor of Jena, who criticized how the song portrayed the town, saying, among other things, that Mellencamp went too far in portraying the town as a racial hotbed.  After calling the mayor a "mother fucker," Mellencamp performed the overall tame tune.
The classics continued with an empassioned "Rain on the Scarecrow," the Chevrolet theme song "Our Country" and the full on golden rock of "Crumblin' Down," "Jack and Diane," and, with words from Mellencamp to never just roll over to those who are in power, "The Authority Song," with most of the audience on their feet, shouting back full choruses at Mellencamp, closed out the set.

Interspersed with grateful comments to the audience, anti-establishment rhetoric, and pleas for compassion, peace, and an end to ignorance in our country, Mellencamp was done with his set in less than an hour and forty-five minutes.  He pretty much went from song to song with minimal breaks in-between, if any at all.  Although he played most of his best stuff, I was a little disappointed in the amount of music he left out of his set ("R.O.C.K.," "Cherry Bomb," "Key West," "Wild Night," "Your Life is Now," "Walk Tall"; just to name a few.).  But when you're as prolific as Mellencamp is and as successful as he has been, you can pretty much do whatever the hell you want.  I was disappointed to later find out that he performed both "Walk Tall" and "Thank You" at the Terre Haute show several weeks prior, which I unfortunately missed due to a prior engagement.

He was a living legend - rocking his guitars and dancing around the stage like he was in his 30s; all the while outperforming men and women half his age, backed up by one of the greatest bands of musicians in the entire music industry today.

He has yet another album coming out in 2008, and I only hope I will have another opportunity to see him live some day.  Even from sitting in the balcony, you could feel the vibes exuding from the incredible amounts of energy on the stage.  Next time, I hope I can soak in his greatness from the very front; I can't imagine how great it was to have been able to rock out in the front row.  He's one of the few I would be willing to dish out big bucks for because it doesn't get much better than this.  If I could find someone who appreciates his music as much as I do and be able to share it with them as well, that would be just as great.  I'll even pay for their ticket.

John Mellencamp - November 3, 2007; Indianapolis, IN

1. Pink Houses
2. Paper in Fire
3. I'm Not Running Anymore
4. Check It Out
5. Minutes to Memories
6. Ride Back Home (new song)
7. Young Without Lovers (new song)
8. Small Town
9. Ghost Towns Along the Highway
10. Rain on the Scarecrow
11. Troubled Land (new song)
12. If I Die Sudden (new song)
13. Jena (new song)
14. Our Country
15. Crumblin' Down
16. Lonely Ol' Night
17. Jack and Diane
18. The Authority Song

Mar. 4th, 2008

02:41 am - Heartwrenching

I recently purchased the Nirvana Live Unplugged DVD, which for the first time features the entire show, uncut.  It is truly one of the most powerful events I have ever had the pleasure of experiencing, even if it's some 14 years after the fact.

I still don't know why I've gotten into Nirvana all of a sudden.  They were already long gone when I first started listening and comprehending FM radio; and although I knew they were the founding face of mainstream grunge music I was never curious about their sound.  Now that I've heard them, I guess their music has a powerful, relatable force to it; at least that's what it feels like.

Recorded in mid-November 1993, this "Unplugged" performance was brilliant simply because of what it was - Nirvana playing acoustically.  Obviously it's fairly difficult to perform grunge music in such a manner.  Thus, of the 14 songs performed in the concert only 8 were Nirvana songs; the rest were mainly obscure covers (including my favorite song from the entire performance - a version of The Meat Puppets' "Lake of Fire").  Aside from the performance, the greatest part of this DVD is that it is completely uncut.  The band would occasionally take long breaks in between songs to shoot the breeze with each other.  Lead-singer Kurt Cobain would light a cigarette and flip through the songs on his stand.  Several times, nobody even knew what songs to play.  Cobain asked the audience for requests, but didn't take any of them.

But it is so hard to watch the performance and try to look beyond Kurt Cobain; knowing that he HATED the success the band had encountered, and looking like he had the weight of 100 worlds on his shoulders.

He opens the show with a very stone-faced "Good evening,"  and a jab at the band's fairweather fans:  "This is off our first record.  Most people don't own it."  You can see disdain in his face after performing "Come As You Are," one of the only commercial "hits" the band played during the set.  You can hear the pain and personal turmoil behind his lyrics and in the way he performs them; his rough, gravelly voice at times sounding strained over the soft guitar melodies.  A couple years of intense drug use trying to cope with unwanted success, all the while forced in the limelight by the media and called the "face of a generation" may do that...

The show went on for only about an hour and the final song of the evening was a cover of Lead Belly's "Where Did You Sleep Last Night?"  Unbelievable really to see that Nirvana's loud, obnoxious grunge sound had an inspirational root in early 20th century folk and blues music.  Cobain screams the final verse of the song before unleashing a blood-curdling cry, followed by an almost somber look out into the audience before ending the song.  It was almost like Kurt Cobain's own personal way of saying goodbye - Cobain apparently took his own life less than 5 months after the concert was recorded.

The stage for this performance was designed, intentionally or not, to look like a funeral - beautiful flowers and lit dark candles all over the place.  It's almost like Cobain knew what he was doing the whole time.  This was to be his last big performance - a somber performance; the death of Nirvana - not featuring the song that made them an overnight mainstream phenomenon, closed out with a painful cry in a song originally performed by Cobain's favorite folk performer.

Truly a work of art by one of the greatest there has ever been.

Navigate: (Previous 20 Entries)

Advertisement

Customize